Lapidary guides
Craft knowledge, from rough mineral to set jewel.
The porcelain streak test
Rub your mineral on unglazed porcelain (the underside of a mug will do): the colour of the powder streak is a far more reliable signature than the stone's own colour. Choose the colour you observe.
This test only works on minerals softer than porcelain (about 7 on the Mohs scale) — a sapphire would scratch the plate. And never on a cut gem: rub a hidden area of a rough stone.
Guide to inclusions
A 10x loupe costing a few pounds turns anyone into a detective: what hides inside a stone tells its true story.
The “garden”
Veils and frosts characteristic of natural emerald — its signature of authenticity. A perfectly clear emerald at that price? Be suspicious.
Rutile needles
Fine golden hairs running through quartz — “Venus hair”. Natural and highly prized by collectors.
The “silk”
Fine parallel needles in natural sapphires and rubies. When aligned, they create the star of asteriated stones.
Round bubbles ⚠
Crisp spherical bubbles = almost certainly glass. No natural crystal produces round bubbles.
Curved striae ⚠
Concentric growth lines like a vinyl record: the mark of Verneuil synthetics (older laboratory rubies and sapphires).
Three-phase inclusions
A cavity holding liquid, a gas bubble and a small crystal all at once: the identity card of Colombian emeralds.
Negative crystals
Empty cavities with the perfect shape of a crystal — proof of slow natural growth.
Healing frosts
Old fractures “healed” during the stone's growth, drawing iridescent veils. Natural and common.
Lexicon of gem colours
The trade has named its most legendary hues. Knowing their names is already knowing how to recognise them — and how to read a dealer's label.
Guide to gem treatments
The great majority of gems on the market are “enhanced”. Some treatments have been accepted for centuries, others should send you running. In France, every treatment must legally be declared at the point of sale.
Heating
Near universal on sapphires and rubies to intensify colour. Stable, permanent and universally accepted — a certified “unheated” sapphire even commands a premium.
Oiling
Traditional on emeralds: oil fills the fissures and revives transparency. Accepted when declared — but never an ultrasonic bath, which drives the oil out!
Irradiation
Commercial blue topaz is almost always colourless topaz that has been irradiated then heated. A controlled, stable and harmless process.
Stabilisation
Porous turquoise is often impregnated with resin to harden it and fix its colour. Common and accepted when declared.
Diffusion ⚠
A colouring element (beryllium and the like) is diffused into the surface at high temperature: the colour is only a skin. Must be declared — value is far lower.
Lead glass ⚠
Heavily fractured rubies are “rebuilt” with leaded glass: these fragile composites cannot tolerate lemon, heat or household products. Their knock-down price is justified.
Dyeing ⚠
Howlite dyed as “turquoise”, agates in improbably garish colours: a cotton bud with acetone often reveals the trick.
Coating ⚠
A thin iridescent film deposited on the surface (“mystic topaz”, aurora quartz): spectacular, but it wears with wear and scratches.
Guide to precious metals
The companion of stones: learning to read a jewel.
Guide to French hallmarks
These tiny marks struck into jewellery guarantee the metal. Look for them with a loupe: inside a ring band, on a clasp, on a bail.
Gold 750 ‰ (18 carats) — le poinçon d'or français par excellence
Gold 585 ‰ (14 carats)
Gold 375 ‰ (9 carats)
Silver massif 925 ‰ — le casque de la déesse, frappé depuis 1838
Platinum 950 ‰
Gold d'occasion ou importé sans origine garantie
Silver d'occasion ou importé
Maker's mark: the French manufacturer's signature, with initials
No hallmark on a piece sold as “gold” in France = a warning sign (except items under 3 g).
Photographing stones well
For your listings, your collection — and to give Lapidem's AI the best possible chance of a correct identification.
Indirect daylight: near a window, never in direct sun, and above all never flash — it crushes colours and creates lying reflections.
A neutral matte background: grey or white paper for dark stones, dark fabric for pale ones. The background must never steal the show.
Clean the stone first: fingerprints create greasy reflections that mask its true lustre.
Several angles (top, profile, backlit for transparency) and one shot with a coin for scale.
Macro mode, focus on the stone, elbows braced: sharpness is king. Frame tight — the stone should fill the image.
Lighting your display cabinet
Light makes or breaks a collection on display.
Diamonds and colourless stones: cool white LED (5000–6500 K) to awaken fire and sparkle.
Gold, ambre, citrine, cornaline : blanc chaud (2700–3000 K) qui embrase les tons dorés.
Emeralds, blue and green stones: neutral white (around 4000 K), the best balance.
Insist on a CRI above 90 (colour rendering index, printed on the lamp packaging) — below that, your stones are lying.
Avoid halogens, which run hot (dangerous for opals and amber), and give your fluorescent stones a small UV corner.
The dealers' secret: “north light”, indirect daylight, the absolute benchmark for judging a gem's colour.
Anatomy of a cut gem
Hover over or tap each part of this brilliant-cut cross-section to discover its role.
Hover over the gem.
Guide to gem cuts
A gem's cut is not merely aesthetic: each one is designed to reveal a specific quality of the stone.
Round brilliant
57 facets calculated for maximum fire and brilliance. The timeless choice for engagement rings.
Princess
A square with sharp corners and a very modern brilliance. Protected by a setting that covers the angles.
Émeraude
A step cut of “mirrors” that reveals clarity. Created to spare the fragile emerald.
Cushion
Softened corners, vintage charm. Much prized for sapphires and antique diamonds.
Oval
Weight for weight it looks larger than a round, and elegantly lengthens the finger.
Pear
A teardrop between brilliant and marquise. Its fragile point is worn towards the fingernail.
Marquise
A two-pointed navette, born — so they say — of the smile of the Marquise de Pompadour, for Louis XV.
Cabochon
A polished dome with no facets: the cut for opaque stones and for star or cat's-eye effects.
How stones are born
Three great geological paths of formation, three families of treasure.
The seven crystal systems
Every mineral crystallises according to a precise internal geometry — its atomic identity card.
Cubic
Diamond, garnet, fluorite, pyrite
Tetragonal
Zircon, rutile, scapolite
Hexagonal
Emerald, aquamarine, apatite
Trigonal
Quartz, calcite, ruby & sapphire, tourmaline
Goldthorhombic
Topaz, peridot, tanzanite
Monoclinic
Jade, malachite, azurite, selenite
Triclinic
Labradorite, amazonite, turquoise
Amorphous
No structure: opal, obsidian, amber
Stones through history
Six and a half thousand years of human fascination, in a few milestones.
The lapidary guides: learning to read stones
Identifying a stone is good. Understanding what you hold in your hand is better. The lapidary guides gather the craft knowledge that gemmologists, mineralogists and jewellers take years to accumulate, explained simply and illustrated so you can use it today, loupe in hand.
Telling the real from the fake
The guide to inclusions is probably the most valuable of the set: with a 10x gemmological loupe costing very little, you will learn to read the inside of a gem like an open book. The “garden” of a natural emerald, the rutile needles in quartz, the silk of sapphire, the three-phase inclusions of Colombian emeralds: all signatures of authenticity. Conversely, perfectly round bubbles betray glass, and curved growth striae expose a laboratory ruby or sapphire. This guide makes you a stone detective — and complements the authenticity-check mode of our AI identification perfectly.
The guide to gem treatments continues the investigation. Almost all commercial sapphires and rubies are heated, emeralds have been oiled for centuries, blue topaz is nearly always irradiated: these treatments are accepted by the market, stable and perfectly legal — provided they are declared, as French law requires. Others should alert you: beryllium surface diffusion, rubies rebuilt with lead glass, dyed howlite sold as turquoise, quartz coated with an iridescent film. Knowing the difference means not paying a natural stone's price for a treated one.
The porcelain streak test is the founding gesture of the mineralogist: rub the mineral on the unglazed underside of a mug and look at the colour of the powder. It is far more reliable than the stone's apparent colour: hematite, whether grey, black or reddish, always leaves a red-brown streak; golden pyrite — “fool's gold” — leaves a greenish-black streak, while real gold leaves a yellow one. Generations of prospectors were saved from ruin by this zero-cost test.
Understanding gems and metals
The guide to gem cuts decodes the eight classic cuts — round brilliant, princess, emerald, cushion, oval, pear, marquise, cabochon — and explains why each exists: the emerald step cut was invented to spare a fragile stone and reveal its clarity, the 57-facet brilliant to maximise a diamond's fire, the cabochon to release the star of asteriated sapphires. The anatomy of a cut gem completes the picture by naming each part — table, crown, girdle, pavilion, culet — and explaining their optical role: a pavilion that is too deep or too shallow and light “leaks”, leaving the stone lifeless despite its quality.
On pure mineralogy, the guide to the seven crystal systems reveals the internal geometry of minerals — cubic for diamond and fluorite, trigonal for quartz and ruby, monoclinic for jade — while the guide to geological formation tells the three great ways a stone comes into the world: igneous in cooled pockets of lava, metamorphic under the pressure of tectonic plates, sedimentary drop by drop in the fissures of rock.
For jewellery, the guide to precious metals teaches you to read an alloy — 18-karat gold (750‰), 14-karat, 9-karat, sterling silver 925, platinum 950, and the essential difference between vermeil and simple plating — while the guide to French hallmarks puts before your eyes the marks every bargain-hunter should know: the eagle's head of 750 gold, the Minerva of solid silver, the dog's head of platinum, the lozenge of the maker's mark. These tiny impressions, hidden inside a ring band or on a clasp, are worth all the certificates in the world.
Displaying and photographing
The guide “Photographing stones well” gives you the five habits that change everything: indirect daylight, never flash, a neutral matte background, a cleaned stone, several angles, tight framing. These tips improve your listings and your collection photographs — and markedly increase the accuracy of Lapidem's AI identification. Finally, the guide to display lighting reveals the colour temperatures that flatter each stone (cool LED for a diamond's fire, warm white for amber and citrine), the importance of a colour rendering index above 90, and the dealers' secret: “north light”, that indirect daylight which remains the absolute benchmark for judging a gem's colour honestly.
And because a stone is also a story, the timeline “Stones through history” takes you from the first Afghan lapis lazuli mines, opened 6,500 years ago, to today's laboratory diamonds, by way of Tutankhamun's mask, Cleopatra's emeralds, the first diamond engagement ring of 1477 and the discovery of the Cullinan, the largest rough diamond ever found.
E-book · Gemmology & the gem trade
The Merchants of Light
My name is Lorys. For over ten years I have travelled the markets, the mines and the workshops of the gem world. There I learned to observe stones, to negotiate, to recognise treatments and to understand what a gem is truly worth. The Merchants of Light is a human and practical journey. You will find field knowledge and professional insight that you will not find anywhere online.
- Travel the great gem routes
- Understand the stone trade
- Negotiate with method
- Learn to read a gem
- Recognise treatments and imitations
- Use the tools of the trade
- Buy with far greater safety
- Step into the professionals' network
- Make sense of certificates